Explorer Race Development

A description of the Explorer race can be found here.

 Mood-board created from gathered reference to inform unified character designs

Sketches generation by sketching over existing silhouettes and using the above mood-board as inspiration

A work-in-process preview of the the sketching over silhouette process that utilises layers in Photoshop.
Previous blog entry covering the silhouette technique found here.

Atlantean Race Development

In order to effectively collate and identify the most inspirational information to refer to when sketching my designs, I created mood-boards from collected images. This was an incredibly useful process that ensured a clear and cohesive approach to the designs, the influence of which is evident within the work:

 Mood-board created for the development of the Atlantean race designs
(description of races found here)

Resulting sketches, created using existing silhouettes and mood-board reference

Silhouette Generation

Self generated character ideation using the silhouette technique and Photoshop. These thumbnails are a combination of Atlantean, Explorer and Creature concepts will form the basis of further character design development. I feel that the attempt at communicating gesture as well as tribal, technical and animal-esque qualities was surprisingly successful despite the current simplicity of the designs.

More on the silhouette technique can be found on my previous blog entry.

Mayan and Egyptian Influences

From further research into the subject of Atlantis, I discovered many interesting claims that The Atlanteans may have had influence over Mayan and Egyptian culture.

It is believed by some that Atlantis may be the common link between Mayan and Egyptian Architecture and culture

This excerpt can be found on http://www.crystalskullmaya.com;

Steeped in mystery the Mayans themselves tell the story of how they existed in Atlantis and were dispersed when the continent was destroyed.  They believe their homeland was named Aztlan. Many legends claim the inhabitants of Atlantis escaped and colonized in different cultures.The legend of Atlantis started with Plato somewhere around 350 B.C.E.  This legend was also revealed by famous prophet Edgar Cayce. In fact while in a trance state he saw that the breaking up of Atlantis caused many of the survivors to go to Peru, the Yucatan and Egypt. The three cultures developed advanced Hieroglyphic writing styles and built massive pyramids.

Nineteen century scholar, Charles Etienne Brasseur de Bourborg rediscovered the Maya’s Popal Vuh-translated as the book of community. This book’s  insights includes such subjects as the story of creation, ancestry, history and cosmology. After studying this sacred book this scholar became convinced the ancient Maya culture could be traced to the lost continent of Atlantis.

It is certainly intriguing to consider the roots of the Mayans to be  the survivors of Atlantis. As more information is researched in their Sacred books, perhaps more interpretation of the sacred codices will offer more clues. Atlantis survivors and Mayans add another add another dimension to the mystery of the crystal skulls.

This discovery has prompted further visual research into the aesthetics of both ancient Mayan and Egyptian culture with which to inform my Atlantean designs.

Silhouettes

Silhouettes are becoming more integral in an a concept artists process because they generate original ideas quickly. They allow the artist to ignore detail and focus on a strong cohesion of shapes to represent the subject. Even if an artist does not create silhouettes as part of their process they still have to consider the strength of the shape they have created which is much harder to consider when sketching for example because the artists focus is drawn to line weight, proportions and value. 

Creating silhouettes allows the designer to produce distinctive shapes that stand out from others. When considering game design this is key because often a player will need to make a decision whether the character is a threat or not. In games such as Gears of War the enemies have iconic body shapes so there is no confusion for the player. 

'The Skilful Huntsman' is an art book created to show a concept artists process from start to finish. The pages below focus on how the artist creates several quick silhouettes to represent a basic idea quickly. 

Sketches that create a distinctive silhouette that inspire the artist will be developed further, evident in the image below. 

Sea Creature Development

A description of the Sea Creature race can be found here.

Mood-board created to visually inform and unify the subsequent character development

Corresponding designs so far

Link to Atlantean development here.

Link to Explorer development here.

Revised Brief

As a concept artist, I hope to achieve a high standard of execution within character and creature concepts. This brief intends to encourage a creative balance by utilising strengths and challenging weaknesses within my existing portfolio.

I intend to create this preliminary artwork within the context of a multiplayer online battle arena game. The chosen target audience for the game will conform to that of average MOBA player age range of 12‐35 year olds. This will also allow the design to remain flexible throughout the serendipitous process of design generation. The artwork will explore various processes and techniques commonly used within the game industry, in order to gain a better understanding of particular practises and prepare for a potential studio based career.

The designs for this project will be influenced by my own research into the myths, academic studies and literary fiction surrounding the legendary lost city of Atlantis. This particular concept has been chosen based upon the abundance of both theoretical and fictional text inspired by the popular legend. I intend to research and visually translate this information in order to create my own creative adaptation within the context of a video game.

In addition to providing an abundance of inspirational research and textual information, the visually rich Atlantian mythos requires the inclusion and interpretation of an undiscovered civilisation, aquatic and exploratory themes. This will provide a range of opportunities in which to explore human, creature and costume designs that omit the ordinarily stifling reliance on historically accurate imagery. This creative freedom will ensure a wide diversity of character concepts.

Engaging in continuous investigation into the academic context and visual content of the brief will form a particularly large portion of my preparatory work. Actively researching throughout the project will form an integral part of the developmental process in terms of both topical exploration and artistic technique. Academic and visual investigation will include research into Atlantis from a variety of sources including journals, books and online resources. I will also take full advantage of online and library resources as well as my subscription to Imagine FX magazine and Gnomon Workshops to inform my game industry knowledge and artistic methodology.

The outcomes for this project will comprise of developmental and investigative artwork that will ultimately inform the context and aesthetic nature of my final major project. I aim to generate ideas for three different races with at least six variations of each design. This body of exploratory imagery will include silhouettes and sketches that will form development sheets. This preliminary work will create the basis for paintings and renderings within the final major project. The final major project will expand upon these preliminary concepts and be presented within a professionally printed book, demonstrating the design process in its entirety from pre‐production research and initial sketches to post production marketing illustrations and key scenes